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On May 28, the SicilCima showroom in Catania, “A Home Full of Light,” hosted an event dedicated to contemporary design culture and Rimadesio’s vision of living. The talk featured Giuseppe Bavuso, the brand’s Art Director, in conversation with Donata Agnello, Editor-in-Chief of I Love Sicilia, in a discussion that brought together architects, interior designers, and industry professionals.
The event highlighted the value of light as a fundamental design element, capable of defining spaces, enhancing the purity of forms, and creating continuity between architecture, furnishings, and materials.
The event highlighted the value of light as a fundamental design element, capable of defining spaces, enhancing the purity of forms, and creating continuity between architecture, furnishings, and materials.
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Through an exploration of Rimadesio’s philosophy and Giuseppe Bavuso’s design journey, the event offered a glimpse into the concept of the contemporary home: an essential, fluid, and open space where design, innovation, and aesthetic exploration come together in harmony.
With this initiative, SicilCima reaffirmed its role as a hub for exchange and dialogue in the world of design, creating an opportunity for companies, professionals, and creative minds involved in architecture and contemporary living to engage with one another.
With this initiative, SicilCima reaffirmed its role as a hub for exchange and dialogue in the world of design, creating an opportunity for companies, professionals, and creative minds involved in architecture and contemporary living to engage with one another.
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In Palermo, within the setting of Palazzo Butera, "Mostrare l'unicità” took shape as a shared experience rather than a simple presentation.
A moment dedicated to a selected group of architects, where design revealed itself through relationships, perspectives, and built matter.
At the heart of the event were the Keller Minimal Windows systems, interpreted as devices capable of redefining the relationship between interior and exterior.
Transparent surfaces, profiles reduced to the essential, thresholds that dissolve: elements that do not impose themselves, but accompany space, enabling a perceptual and design continuity.
A moment dedicated to a selected group of architects, where design revealed itself through relationships, perspectives, and built matter.
At the heart of the event were the Keller Minimal Windows systems, interpreted as devices capable of redefining the relationship between interior and exterior.
Transparent surfaces, profiles reduced to the essential, thresholds that dissolve: elements that do not impose themselves, but accompany space, enabling a perceptual and design continuity.
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Within this dialogue, SicilCima’s vision finds a natural resonance with its own roots.
From Grammichele to Palermo, the company’s journey reflects an idea of architecture that combines technical precision with cultural sensitivity, transforming the window system into an identity-defining element, capable of creating connections between places, landscapes, and people.
The guided visit to the Valsecchi Collection ultimately expanded the meaning of the experience.
A unique heritage where history and vision intertwine, giving the event a broader dimension: that of a narrative in which every detail, as in Keller systems, contributes to showcasing uniqueness.
From Grammichele to Palermo, the company’s journey reflects an idea of architecture that combines technical precision with cultural sensitivity, transforming the window system into an identity-defining element, capable of creating connections between places, landscapes, and people.
The guided visit to the Valsecchi Collection ultimately expanded the meaning of the experience.
A unique heritage where history and vision intertwine, giving the event a broader dimension: that of a narrative in which every detail, as in Keller systems, contributes to showcasing uniqueness.
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First event following Soglie del Mediterraneo, Utsuroi explores the Japanese concept of transformation and impermanence: a continuous and inevitable change reflected in landscapes, the passing of seasons, and transitional moments, dissolving the boundary between individual and environment.
The exhibition design, curated by Makoto Fukuda, translates this principle into a spatial dimension through suspended, organic elements—light and dynamic—whose movement evokes natural cycles and the transience of light and form. The space thus becomes a sensory experience, where perception and time intertwine.
The exhibition design, curated by Makoto Fukuda, translates this principle into a spatial dimension through suspended, organic elements—light and dynamic—whose movement evokes natural cycles and the transience of light and form. The space thus becomes a sensory experience, where perception and time intertwine.
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With this project, Abadir interprets the new corporate exhibition space as a narrative environment, linking the concept of change in Utsuroi to the evolution of SicilCima.
The project further consolidates the path initiated with the installations at Viale Africa 42, emerging as a poetic and cultural device capable of expressing the brand’s identity through research, interdisciplinarity, and dialogue with the territory.
The project further consolidates the path initiated with the installations at Viale Africa 42, emerging as a poetic and cultural device capable of expressing the brand’s identity through research, interdisciplinarity, and dialogue with the territory.
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Conceived for the opening of the new showroom in Catania, “Soglie del Mediterraneo” was much more than an inaugural event: it was both a symbolic and real moment of transition, capable of expressing SicilCima’s identity through the universal language of music.
The Mediterranean, understood as a place of encounter, boundary and relationship, became the generative theme of an evening that brought together culture, enterprise and vision, transforming the showroom opening into a shared and meaningful experience.
The Mediterranean, understood as a place of encounter, boundary and relationship, became the generative theme of an evening that brought together culture, enterprise and vision, transforming the showroom opening into a shared and meaningful experience.
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The performance, entrusted to the Percussio Mundi ensemble of the “Vincenzo Bellini” Conservatory of Catania and curated by Giovanni Caruso and Salvatore Gozzo, shaped a sonic narrative made of stratifications and cultural references.
Percussion, with its primal and physical force, guided the audience through a journey across geographies and languages: from the ancestral rhythms of Ghanaia by Matthias Schmitt, to compositions by Giovanni Sollima, up to Drums in Square by Caruso himself, where rhythm becomes a collective and urban gesture.
A brief yet intense path, capable of condensing energy, tension and suggestion into an immersive narrative that revealed the new exhibition spaces.
Percussion, with its primal and physical force, guided the audience through a journey across geographies and languages: from the ancestral rhythms of Ghanaia by Matthias Schmitt, to compositions by Giovanni Sollima, up to Drums in Square by Caruso himself, where rhythm becomes a collective and urban gesture.
A brief yet intense path, capable of condensing energy, tension and suggestion into an immersive narrative that revealed the new exhibition spaces.
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The performance featured Giovanni Caruso together with Rosario Gioeni, Pierpaolo Longo, Davide Pennisi, Kevin Cannavò and Christian Tatum, delivering a dynamic and engaging experience that interacted with the architecture of the showroom.
Music inhabited the space, transforming the architecture into a sensory and relational device, where sound became material and rhythm an invisible structure shaping the experience.
Music inhabited the space, transforming the architecture into a sensory and relational device, where sound became material and rhythm an invisible structure shaping the experience.
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Alongside its artistic dimension, the evening also represented an opportunity for dialogue among professionals, partners and institutions.
Following the performance, speeches by the curators and by Lorena and Antonino Fragapane, together with representatives of partner companies Schüco Italia and Rimadesio, highlighted the value of collaboration and the shared ambition to build a project that goes beyond product, embracing a broader cultural vision.
Following the performance, speeches by the curators and by Lorena and Antonino Fragapane, together with representatives of partner companies Schüco Italia and Rimadesio, highlighted the value of collaboration and the shared ambition to build a project that goes beyond product, embracing a broader cultural vision.
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The visit to the new showroom and the following convivial moment completed the experience, turning the opening into an authentic opportunity for connection and networking: in this sense, “Soglie del Mediterraneo” took shape as a manifesto.
Crossing a threshold does not simply mean entering a new space, but opening up to new possibilities, redefining the boundaries between business and culture, between technique and sensitivity. A beginning that clearly expresses SicilCima’s direction, where every project becomes an opportunity for dialogue and every place a point of connection between people, ideas and territories.
Crossing a threshold does not simply mean entering a new space, but opening up to new possibilities, redefining the boundaries between business and culture, between technique and sensitivity. A beginning that clearly expresses SicilCima’s direction, where every project becomes an opportunity for dialogue and every place a point of connection between people, ideas and territories.
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